EDUCATION AND RESIDENCIES
1998 Artist in the Marketplace, Bronx Museum of the Arts, Bronx , NY
1996-97 Independent Study Program, Whitney Museum of American Art, New York, NY
1992 California Institute of the Arts, Valencia, CA. Master of Fine Arts in Photography
1989 Pratt Institute, Brooklyn, NY. Bachelor of Fine Arts in Photography
SCHOLARSHIPS AND FELLOWSHIPS
2002 New York Foundation for the Arts (NYFA) Fellowship / Grant in the category of Photography
1989 Dana Artist Fellowship, Pratt Institute, Brooklyn, NY
1988 Dana Artist Fellowship, Pratt Institute, Brooklyn, NY
1986 National Talent Search Scholarship, Pratt Institute, Brooklyn, NY
SELECTED EXHIBITIONS
2009 In The Finest Tradition, Solo exhibition, Light & Sie Gallery, Dallas, Texas
Architectonic, CADD Art Lab, Dallas, Texas press-release: http://www.caddallas.net/wp/wp-content/architectonic-press-release.pdf
2008 ArchitorSpace, from the ArchitorSpace project. Light & Sie Gallery, Dallas, Texas
Architecturally Induced, from the ArchitorSpace project. GE Art Gallery, Fairfield CT. Curated by Glenn Macura
ArchitorSpace, from the ArchitorSpace project. Solo exhibition, Point of View Art Gallery, NYC
2007 Photography in Berlin, Amadeus Art Berlin, Germany, group show, images of Germany
2006 Vanishing Point,Wexner Center for the Arts, Columbus, Ohio, Curated and Catalogue by Claudine Ise
2005 New Found Land, Priska Juschka Fine Art Gallery, NYC Curated by Yaelle Amir
Viajeros: North American Artist/Photographers Working in Cuba, Lehigh University Art Galleries, Zoellner Arts Center Bethlehem, PA.
ArchitorSpace, “from the ArchitorSpace project,” Rebecca Ibel Gallery Columbus, Ohio
Vanishing Point, Wexner Center for the Arts, Columbus, Ohio. Curated and Catalogue by Claudine Ise.
2004 Market Value, Cuchifritos Gallery, New York City. Curated by David Gibson
Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, New York Curated by Chariotta Kotik & Tumelo Mosaka.
Nowhere but Here, “ from the ArchitorSpace project.” Solo exhibition, Priska Juschka Fine Art Gallery.
Factorial Debut, Oulous Repair Shop Gallery, Los Angeles, CA. Curated by Nicholas Lamia & Xing Gallery
2003 Fresh Face, Rebecca Ibel Gallery, Columbus, Ohio
ArchitorSpace, Ohio State University, Hopkins Hall Gallery, Columbus, Ohio. Catalogue produced
2002 Cool Times, Priska Juschka Fine Art Gallery, Brooklyn, NY. Curated by Priska Juschka.
2001 Stepping back, moving forward, human interaction in an interactive age,
Pittsburgh Center for the Arts. Curated and Catalogue by William Stover and L. Halsey Brown.
How I Learned to Stop worrying and Love the Recession, Ten-in-One Gallery, New York, NY. Curated by Joel Leib.
New Photography, ARENA @ FEED Gallery, New York, NY. Curated by Renee Riccardo & Lisa Schroeder.
2000 Never, Never Land, Florida Atlantic University & Contemporary Art Museum, University of South Florida in Tampa, Rutgers University of New Jersey.
Curated and Catalogue by Omar Lopez-Chahoud. Travelling Exhibition.
ArchitorSpace, Gallery Show, Steffany Martz Gallery, New York, NY. Curated by Steffany Martz.
1999 Outer Boroughs, White Columns, New York, NY. Curated by Director Paul Ha.
Size Maters, GalGate Arts Brooklyn, New York. Curated by Mike Weiss.
Your I, Center for Curatorial Museum, Bard Collage, Annandale-on-Hudson, NY. Curated by Judy Kim.
Zone of Risibility, The Rotunda Gallery, and Brooklyn, NY. Curated and Catalogue by Carrie Cooperider.
1998 Gender (Con)sumption / Assumption of Gender, Stony Brook Union Art Gallery, State University of New York at Stony Brook, Organized by Michael Kimmel.
Artists in the Marketplace: Eighteenth Exhibition, Bronx Museum of the Arts, Bronx, New York, Curated and Catalogue by Marysol Nieves & Lydia Yee.
Site of Asia, Site of Body, Taipei Gallery, New York, NY. Curated and Catalogue by Hsiao-ning Tu.
Indifferent West, William Street Gallery, FOTOFEST International, Houston TX. Curated by Wendy Watriss.
1997 New Masculinities, Houston Center for Photography, Houston, TX. Curated and Catalogue by Michael DeVoll.
Gun as Image, Florida State University, Museum of fine art, Tallahassee, FL. Curated by George Blakely
1996 Inherit the Patriarch, Henry Street Settlement, New York, NY
Re:collectivity, Side Street Projects, Santa Monica, CA. Organized by Al Winn.
ONE, Foundation Art Gallery / Rush Fine Art, New York, NY, Curated by Renée Cox & Victor Matthews
Who do you think you are? Center for Curatorial Studies Museum, Bard Collage, Annandale-on-Hudson, NY. Curated by William Stover.
1995 (dis)Oriented, Steinbaum Krauss Gallery, New York, NY. Curated and Catalogue by Margo Machida.
Pride and Prejudice, 494 Gallery, New York, NY. Curated by Shari Diamond and Honor LaSalle.
Inherit the Patriarch, Midtown Y Photography Gallery, New York, NY, Curated by Michael Spano.
1994 Beyond the Label, Joseloff Gallery, University of Hartford, Hartford, CT. Curated by Julia Ballerini.
Material Concerns, The Rotunda Gallery, Brooklyn, NY. Curated by Marie Keller.
1993 Will You Go Out With Me? Hallwalls Contemporary Arts Center, Buffalo, NY. Curated by Sara Kellner
Interior Dialogues, Montage '93: Pyramid Arts Center, Rochester, NY, part of International Festival of the Image
1992 Counterweight: Resistance, Alienation, Assimilation, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA. Curated and Catalogue by Joan Hugo & Sondra Hale.
BIBLIOGRAPHY, ARTIST REVIEWS, REPRODUCTIONS, AND CRITICAL ARTICLES
Renegade Bus, "The Architecture of Personality", Art Review, In The Finest Tradition w/repro
Dallas Observer, Art Review, "Boys vs. Girls" by Noah W Balley, Published June 18-24 2009, reproductions p.28
The New York Times, Art Review | 'Vanishing Point, 'Everywhere's the Same: Nowhere in Particular, By Ken Johnson, Published: June 3, 2005
Gallery & Studio Magazine, ”Open House, A Museum Grows in Brooklyn” Vol. 6, No. 5 June/July/Aug. 2004 Page 19
The Columbus Dispatch, “Art Review” Visual Arts Section, “Pieces offer intriguing peek into future” By Jeanne Fryer-Kohles Dec. 7th 2003 Page D8 reproduction
City Journal, “We’re not losing the culture wars anymore”, Vol. 13, No. 4 Nov/Dec issue 2003 image reproduction. Page 27
24/7, “Double Exposure For Rising Photographers”, By Christy Goodman, Feb 24th, 2003 p 12, reproduction
The New York Sun, “Art Review,” Weekend Edition , Calendar Arts Section, Aug. 30 – Sept 1 2002, review of Cool Times at Priska Juschica Fine Art Gallery
Pittsburgh City Paper, Weekend Review, By Alice Winn, March 2002
Post-Gazette.Com, Arts & Entertainment, Art Review: “Digital Freedom, Surveillance slavery electrify exhibit at PCA”, By Eve Modzelewski, Saturday, March 02, 2002
Pierogi Press, ”Artist Zine Magazine,” Edited and published by Susan Swenson, Winter Issue 2002 No 9, 4 image reproductions p,68 & 69
The Pittsburgh Tribune-Review, Art Review, "Candid Cameras," by Kurt Shaw, January 18-24, 2002, reproduction, p. 7
Art Journal, “ArchitorSpace via CUBA,” Fifteen reproductions and artist essay, Winter 2001, Vol. 60, p. 74
Artforum, “La Habana” by Nico Israel, February 2001, image reproductions page 148 Feb. 2001, xxx1x, no 6
Art in America, “Cuba Two, Sweet Dreams” by Grady T. Turner, October 2001, No 10 p. 75, image reproductions
Free Williamsburg, Art Review, “New Photography Explores Fantasy, Reality, and the in between,”by Meg Blackburn, June 2001 v. 15 (www. Freewilliamsburg. com)
Fotophili, “Indifferent West,” Seven images reproduce, Winter issue 2001, No. 39
A Beauty Of Capitalism, Art Association Mulato Gil Lund, Sweden, by Martin Schibli 2001
Art Journal, Image reproduction, winter issue 2000 essay “Identity Crisis” by Rachel Ford, p. 100
Design Times, “Kitchens, Fun in the Sun,” by Molly Church, image reproductions April / May issue page # 32
Art Journal, “ArchitorSpace,” Eleven image reproductions and Artist essay,” Spring 2000, Vol. 59, no.1, p. 88
City Link, “Art Review,” Never Never Land, by Candice Russell, December 6, 2000
LA Vanguardia, News Paper of Madrid, Spain, “Art Reviews,”, by Rocio De La Villa, Sept. 2000, p15
The New Yorker, Fiction Story, “Water Child” Sept. 11th, 2000 p. 84, image reproduction
Review Magazine “expositions” Zone of Risibility by Matt Freedman, Feb 15th 1999 p.11-12
Park Slope Courier, Courier Lifestyles - Arts & Leisure “Step Into The Artist’s Zone of Risibility”
NY Arts Magazine, Bi-coastal Studio Visits, Focusing on Photography by Lauri Firstenberg, image reproductions #28 Jan. 1999 p.26
The Georgia Review “Indifferent West,” Eight image reproductions, The University of Georgia Press, Summer 1999 Vol.LIII No.2
CAA News, “Emerging Artists Featured” vol.23, No. 6, Nov.1998 p.6, image reproductions
New York Times, Art in Review “One museum, five shows and a million lives and passions,” by Holland Cotter, Aug.14,1998
ARTnews, "Site of Asia / Site of Body," by Cynthia Nadelman, Vol.97 #7 July, August 1998 p.160
New York Times, Art in Review, “Site of Asia / Site of Body”, by Holland Cotter, April 24, 1998
Currents, "The Female Body”: Taboo or Battleground? Questions of Identity for the Asian Feminist Artist" March / April 1998 No.35 p 4
Ming Pao Daily News, March 23 1998 Vol.B4
Kitchen & Bath, Design News, “Project Case Study”, by Janice Anne Costa, image reproduction September 1997 p. 28
Hallwalls Contemporary Arts Center, Director Presentation at the Cultural Center in Quayaquil, Ecuador, By Sara Kallner, Visual Arts Director
SPOT, Houston Center for Photography, "Every Man for Himself" by William Thompson, image reproductionsFall vol.16 no. 2 1997 p. 6
Taconic Newspaper, “Creating new spaces of their own” by Jennifer Clouting, March 14 1996 p. 5
Art and Asia Pacific Magazine, “Disoriented Territories” by Alice Yang ,vol. 3 No.1 Feb-Mar. 1996, p. 40
New Observations, No. 107, by Todd Ayoung July -Aug. 1995, p.31 Artist page.
New York Times, “Art Reviews,” by Pepe Karmel, July 21, 1995
The Village Voice, Art Reviews, “The short list”, by Kim Levin July 19-25,1995, p. 2
The Daily News, City Limits “The Culture Scene” by Nick Charles Friday June 30th 1995 p.11
New York Press, "Art Reviews" April 12-18 1995
Everything London Artists Magazine, No. 12, Feb-Mar, 1994, p. 19, photo
BOOKS AND CATALOGUES
Visualizing The City, Essay: Employee Entrances and Emergency Exits, By Marcus / Neumann, pg. 203, 2009
Fotograf #9, Portfolio of ten images reproduced in a magazine of photography and visual culture from the Czech Republic. Published : February / March 2008
Vanishing Point, Cover of exhibition catalogue and brochure with image reproductions, Wexner Center for the Arts, Columbus, Ohio, Curated and Catalogue by Claudine Ise
North American Artist/Photographers Working in Cuba, 2004 Exhibition catalogue w/repro,
Lehigh University Art Galleries Zoellner Arts Center, Bethlehem, PA Curated and Catalogue by Ricardo Viera
Influence Magazine, “The City Without Qualities: Photography, Cinema, and Post-Apocalyptic Ruin” By Walead Beshty,
December 2003 with six image reproductions. Pages #62,63,64,65,66,67,68
Stepping back, moving forward, human interaction in an interactive age, Exhibition catalogue w/repro,
Pittsburgh Center for the Arts, curated by William Stover and L. Halsey Brown
Never Never Land, Exhibition catalogue w/repro by Omar Lopez-Chahoud Florida Atlantic University & Contemporary Art Museum, University of South Florida in Tampa
Zone of Risibility, Exhibition catalogue w/repro. by Carrie Cooperider The Rotunda Gallery, Brooklyn, NY Feb.1999
Artists in the Marketplace, Exhibition catalogue w/repro. Eighteenth Annual Exhibition, by Marysol Nieves and Lydia Yee, Bronx Museum of Arts, Bronx , NY July 1998
Why Asia?, Contemporary Asian and Asian American Art, Writings by Alice Yang, Edited by Jonathan Hay and Mimi Young, New York University Press "Disorienting Territories" p. 73 April 1998
Site of Asia, Site of Body, Exhibition catalogue w/repro. by Hsiao-ning Tu & fu-Chia-Wen Lien Taipei Gallery, New York, NY, March 1998
Gun as Image, curated by George Blakely (exhibition catalogue w/repro.) Florida State University, Museum of Fine Art, Tallahassee, FL, March 29th 1997 p.43
(dis)Oriented, Exhibition catalogue w/repro. by Margo Machida Steinbaum Krauss Gallery & Henry Street Settlement,
June-July 1995 collaboration with Monica Chau
Counterweight: Resistance, Alienation, Assimilation, Exhibition catalogue w/repro by Sondra Hale and Joan Hugo, Santa Barbara Contemporary Arts Forum, January 23, 1993
ARTIST TALKS, LECTURER AND PANELS
2008 Artist talk and graduate critiques, Memphis College of Art
2007 Artist talk, Central Michigan University Art Department
Artist talk, University of California, Merced School of Social Sciences, Humanities and Arts
Artist talk, Rhode Island College, Providence, RI
Artist talk and graduate student critiques, Texas A&M University, Commerce
2006 Artist talk and graduate student critiques, University of California, Davis
2005 Artist talk and student critiques, Wexner Center / Ohio State University
Artist talk, Parsons School of Art And Design, New York City
Artist talk, Pratt Institute. Brooklyn, New York
2004 Artist talk, California State University, Long Beach, CA. Topic: Images of the urban landscape, New York City and other cities and their relationship to my artwork.
Visiting Artist / Lecturer, California State University and UC San Diego. Lectured about photographic topics of Art Photo, realism from Degas to Andy Warhol to
contemporary photographic practice.
Artist talk, New York University, Tisch School of the Arts, Photography Department
2003 Visiting Artist / Lecturer, State University of Dayton, Dayton, Ohio
Artist talk, Main Brooklyn Public Library, Grand Army Plaza, Brooklyn, New York
2002 Artist talk, School of Visual Arts, Photography Program, New York, NY
Visiting Artist / Lecturer, International Center of Photography (ICP). Lecture about images of the Urban Landscape
2000-03 Visiting Artist, Tampere School of Art and Media, Tampere, Finland. Lectures about site-specific photography.
2000 Artist Talk /Panel Speaker, Special invitation to the Regional Central American and the Caribbean Contemporary Art
Forum. “Constructions of the Identity and the Self in Architectural Public Space” Tegucigalpa, Honduras.
1998 Panel Speaker, Gender (Con)sumption / Assumption of Gender in conjunction with Men & Masculinity Conference, State University of New York at Stony Brook,
organized by Michael Kimmel
1997 Artist talk, Lamar University-Beaumont, Beaumont TX.
Panel speaker, National (SPE) Society of Photographic Education Conference, Dallas, TX
Gallery talk, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Artist talk, Manchester Community Technical College, Manchester, CT
Collections
Dallas Museum of Art, Dallas, TX
The Museum of Fine Arts, Houston, Houston, TX
Dallas Contemporary Art Museum, Dallas, TX
Philadelphia Museum of Art, Philadelphia, PA
Worcester Art Museum, Worcester, MA
Fidelity Investments, Boston, MA
Ohio State University, Columbus, OH
Edward Osowski, Houston, TX
Linda Gordon, Mill Valley, CA
Cathy Williard, Columbus, OH
Lee Lormand, Dallas, TX