Daniel Mirer Photographer
ArchitorSpace Indifferent West Thingstätten in Deutschland In The Finest Tradition Weekend Warriors Zwarte Piet Tattooed Platinum / Palladium Videos

EDUCATION AND RESIDENCIES

Baxter Street CCNY Workspace Residency Program, New York City

Starry Night Artist Residency, New Mexico
Artist in the Marketplace, Bronx Museum of the Arts, Bronx , NY
Independent Study Program, Whitney Museum of American Art, New York, NY
California Institute of the Arts, Valencia, CA. Master of Fine Arts in Photography
Pratt Institute, Brooklyn, NY. Bachelor of Fine Arts in Photography

SCHOLARSHIPS AND FELLOWSHIPS

New York Foundation for the Arts (NYFA) Fellowship / Grant in the category of Photography
Dana Artist Fellowship, Pratt Institute, Brooklyn, NY
Dana Artist Fellowship, Pratt Institute, Brooklyn, NY
National Talent Search Scholarship, Pratt Institute, Brooklyn, NY

 

Selected Art Exhibitions (*solo shows marked by asterisk)

2017 *Indifferent West, from the Indifferent West series project, Gallery Vassie, Amsterdam, Netherlands                     

              Storytelling, images from Indifferent West project. Georgia Museum of Art at the University of Georgia,
             Athens, Georgia
          *Thingstätten in Deutschland, Photography and Video Installation, BAXTER Street Gallery at CCNY, New York City (catalogue)
2016 *ArchitorSpace, from the ArchitorSpace project, Photography and Video Installation: 
            Mark A. Chapman Gallery, Kansas State University, Manhattan, Kansas

2014 *ArchitorSpace, from the ArchitorSpace project, Betty Foy Sanders Department of Art

         Center for Art & Theatre, Georgia Southern University, Statesboro, GA         

         Pattern and Rhyhm Through The Lens, Jeanie Tengelsen Gallery, Long Island, NY

2012 Anthology, Southeast Museum of Photography, Daytona Beach, Florida
         *ArchitorSpace, Gallery Vassie, Amsterdam Netherlands
2010 Lightness, The Museum at the Fashion Institute of Technology, New York, NY
         
Press-release: http://www3.fitnyc.edu/lightness/artists.html
2009 *In The Finest Tradition, Light & Sie Gallery, Dallas, Texas
          
Architectonic, CADD Art Lab, Dallas, Texas
          
Press-release: http://www.caddallas.net/wp/wp-content/architectonic-press-release.pdf
2008 *ArchitorSpace, from the ArchitorSpace project, Light & Sie Gallery, 
          
Dallas, Texas 
          
Architecturally Induced, from the ArchitorSpace project, GE Art Gallery, 
          
Fairfield CT Curator: Glenn Macura
         
*ArchitorSpace, from the ArchitorSpace project, Point of View Art Gallery, New York, NY.
2007 Photography in Berlin, images of Germany, Amadeus Art Berlin Gallery, Germany
2005 New Found Land, Priska Juschka Fine Art Gallery, New York, NY. Curator: Yaelle Amir.
          
Viajeros: North American Artist/Photographers Working in Cuba,
          Lehigh University Art Galleries 
Zoellner Arts Center Bethlehem, PA.
          Curated and catalogue by Ricardo Viera. Traveling Exhibition. 
         
*ArchitorSpace, from the ArchitorSpace project, Rebecca Ibel Gallery, Columbus, Ohio
          
Vanishing Point, Wexner Center for the Arts, Columbus, Ohio. 
          
Curated and catalogue by   Claudine Ise.
2004 Market Value, Cuchifritos Gallery, New York, NY. Curator: David Gibson.
         
Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, New York
        
Curated and catalogue by Chariotta Kotik & Tumelo Mosaka.
         
*Nowhere but Here, from the ArchitorSpace project. Solo exhibition, 
         
Priska Juschka Fine Art Gallery, NYC
         
Factorial Debut, Oulous Repair Shop Gallery, Los Angeles, CA. Curated by
         Nicholas Lamia & Xing Gallery

2003 Fresh Face, Rebecca Ibel Gallery, Columbus, Ohio
         
ArchitorSpace, Ohio State University, Hopkins Hall Gallery, Columbus, Ohio. (Catalogue)
2002 Cool Times, Priska Juschka Fine Art Gallery, Brooklyn, NY. Curator: Priska Juschka.
        
Stepping back, moving forward, human interaction in an interactive age,
         Pittsburgh Center for the Arts. 
Curated and catalogue by William Stover and L. Halsey Brown.
         
How I Learned to Stop worrying and Love the Recession, Ten-in-One Gallery, New York, NY
         Curator: Joel Leib.
         
New Photography, ARENA @ FEED Gallery, New York, NY. Curated by Renee Riccardo and
         Lisa Schroeder.

2000 Never, Never Land, Florida Atlantic University & Contemporary Art Museum, University 
         
of South Florida in Tampa, Rutgers University of New Jersey. Curated and catalogue
         by Omar Lopez-Chahoud. Travelling Exhibition.
         
ArchitorSpace, Gallery Show, Steffany Martz Gallery, New York, NY. Curator: Steffany Martz.
1999 Outer Boroughs, White Columns, New York, NY. Curator: Director Paul Ha.
         
Size Maters, GalGate Arts Brooklyn, New York. Curator: Mike Weiss.
         
Your I, Center for Curatorial Museum, Bard College, Annandale-on-Hudson, NY.
         Curator: Judy Kim.
         
Zone of Risibility, The Rotunda Gallery, Brooklyn, NY. Curated and catalogue
         by Carrie Cooperider.

1998 Gender (Con)sumption / Assumption of Gender, Stony Brook Union Art Gallery,
         
State University of New York at Stony Brook, NY. Curator: Michael Kimmel.
         
Artists in the Marketplace: Eighteenth Exhibition, Bronx Museum of the Arts, Bronx,
         NY. 
Curated and catalogue by Marysol Nieves and Lydia Yee.
         
Site of Asia, Site of Body, Taipei Gallery, New York, NY. Curated and catalogue
         by Hsiao-ning Tu.
        
*Indifferent West, William Street Gallery, Fotofest International, Houston TX.
         Curator: Wendy Watriss.

1997 New Masculinities, Houston Center for Photography, Houston, TX. Curated and catalogue
         by Michael DeVoll.
         
Gun as Image, Florida State University, Museum of Fine Art, Tallahassee, FL.
         Curator: George Blakely

1996 *Inherit the Patriarch, Henry Street Settlement, New York, NY
         
Re:collectivity, Side Street Projects, Santa Monica, CA. Curator: Al Winn.
         
ONE, Foundation Art Gallery / Rush Fine Art, New York, NY. 
        
Curated by Renée Cox & Victor Matthews
         
Who do you think you are? Center for Curatorial Studies Museum, Bard College,
         Annandale-on-Hudson, NY. Curator: William Stover.

1995 (dis)Oriented, Steinbaum Krauss Gallery, New York, NY. Curated and catalogue
         by Margo Machida.
        
Pride and Prejudice, 494 Gallery, New York, NY. Curated by Shari Diamond and Honor LaSalle.
         
*Inherit the Patriarch, Midtown Y Photography Gallery, New York, NY. Curator: Michael Spano.
1994 Beyond the Label, Joseloff Gallery, University of Hartford, Hartford, CT.
         Curator: Julia Ballerini.
         
Material Concerns, The Rotunda Gallery, Brooklyn, NY. Curator: Marie Keller.
1993 Will You Go Out With Me? Hallwalls Contemporary Arts Center, Buffalo, NY.
         Curator: Sara Kellner
         
Interior Dialogues, Montage '93: Pyramid Arts Center, Rochester, NY. 
1992 Counterweight: Resistance, Alienation, Assimilation, Santa Barbara Contemporary Arts Forum,
         Santa Barbara, CA. Curated and catalogue by Joan Hugo and Sondra Hale.

ARTIST REVIEWS, REPRODUCTIONS, AND CRITICAL ARTICLES

Artland Magazine, Sheldon Museum of Art, University of Nebraska at Lincoln, Spring 2013 issue. Article and portfolio reproduction, pages 30 -39. Interview with image reproduction, pages 50 -54.
Superfuture, Super Art News in the Netherlands, Amsterdam:Architorspace, May 20, 2012
Private, International Review of Photographs, “ArchitSpace by Daniel Mirer” by Private New & Events, May 23, 2012
Dallas Observer, Art Review, "Boys vs. Girls," by Noah W. Balley, June 18-24 2009, reproduction p. 28.
Association of Collegiate Schools of Architecture, “Fresh Air: 2007 ACSA,” Philadelphia, PA,”article by Judith Bing, Cathrine Veikos
Ft Ground Repository, “The Completist” www.ftground.net, 2006
e-flux, Art Review, Vanishing Point, Wexner Cernter for the Arts, May 16 2005
The New York Times, Art Review, Vanishing Point, “Everywhere’s the Same: Nowhere in Particular”, by Ken Johnson, June 3, 2005.
Gallery & Studio Magazine, ”Open House, A Museum Grows in Brooklyn” Vol. 6, No. 5 June/July/Aug. 2004, p. 19.
The Columbus Dispatch, “Art Review” Visual Arts Section, “Pieces Offer Intriguing Peek into Future” by Jeanne Fryer-Kohles, December 7, 2003, reproduction p. D8.
City Journal, “We’re Not Losing the Culture Wars Anymore,” Vol. 13, No. 4 Nov/Dec 2003 issue, reproduction p. 27.
Influence Magazine, “The City Without Qualities: Photography, Cinema, and Post-Apocalyptic Ruin”by Walead Beshty, six image reproductions, pages 62-68.
24/7, “Double Exposure for Rising Photographers,” by Christy Goodman, February 24, 2003, reproduction p. 12.
The New York Sun, “Art Review,” Weekend Edition, Calendar Arts Section, August 30 – September 1, 2002,review of Cool Times at Priska Juschka Fine Art Gallery.
Pittsburgh City Paper, Weekend Review, by Alice Winn, March 2002.
Post-Gazette.Com, Arts & Entertainment, Art Review: “Digital Freedom, Surveillance Slavery Electrify Exhibit at PCA”
by Eve Modzelewski, March 02, 2002 (www.post-gazette.com/ae/20020302pca0302p6.asp.)
Pierogi Press, “Artist Zine Magazine,” edited and published by Susan Swenson, Winter Issue 2002, No. 9, reproductions pages 68 and 69.
The Pittsburgh Tribune-Review, Art Review, "Candid Cameras," by Kurt Shaw, January 18-24, 2002, reproduction p. 7.
Art Journal, “ArchitorSpace via Cuba.” Fifteen reproductions and artist essay, Winter 2001, Vol. 60, p. 74.
Artforum, “La Habana” by Nico Israel, February 2001, xxx1x, No. 6, reproductions p. 148.
Art in America, “Cuba Two, Sweet Dreams” by Grady T. Turner, October 2001, No. 10, image reproductions, p. 75.
Fotophili, “Indifferent West,” Winter Issue 2001, No. 39, seven images reproduced.
Art Journal, Winter Issue 2000, image reproduced. Essay “Identity Crisis” by Rachel Ford, p. 100.
Design Times, “Kitchens, Fun in the Sun,” by Molly Church. Image reproductions April / May issue p. 32.
Art Journal, “ArchitorSpace.” Eleven image reproductions and artist essay, Spring 2000, Vol. 59, no.1, p. 88.
City Link, “Art Review,” Never Never Land, by Candice Russell, December 6, 2000.
La Vanguardia, Newspaper of Barcelona, Spain. “Art Reviews,” by Rocio De La Villa, September 2000, p. 15.

BOOKS AND CATALOGUES

Visualizing The City, Essay: Employee Entrances and Emergency Exits, By Marcus / Neumann, pg. 203, 2009
Fotograf #9, Portfolio of ten images reproduced in a magazine of photography and visual culture from the Czech Republic.
Published : February / March 2008
Vanishing Point, Exhibition catalogue and brochure with image reproductions. Wexner Center for the Arts,
Columbus, Ohio. Curated and Catalogue by Claudine Ise. May 2005, p.14, 66-67
Viajeros: North American Artist/Photographers Working in Cuba, Exhibition catalogue and brochure with
image reproductions. Lehigh University Art Galleries, Zoellner Arts Center Bethlehem, PA.
Curated and Catalogue by Ricardo Viera. Traveling Exhibition from 2005 until 2007, p. 74-75
Open House: Working in Brooklyn, Exhibition catalogue with image reproductions
Brooklyn Museum of Art, Brooklyn, New York. Curated by Chariotta Kotik & Tumelo Mesaka, April 2004.
Stepping back, moving forward, human interaction in an interactive age, Exhibition catalogue image
reproductions Pittsburgh Center for the Arts. Curated by William Stover and L. Halsey Brown
Never Never Land, Exhibition catalogue with image reproductions by Omar Lopez-Chahoud Florida Atlantic University & Contemporary Art Museum, University of South Florida in Tampa
Zone of Risibility, Exhibition catalogue, image reproduction by Carrie Cooperider The Rotunda Gallery, Brooklyn, NY
Artists in the Marketplace, Exhibition catalogue with reproductions. Eighteenth Annual Exhibition, by Marysol Nieves
and Lydia Yee, Bronx Museum of Arts, Bronx , NY, July 1998
Why Asia?, Contemporary Asian and Asian American Art, Writings by Alice Yang, Edited by Jonathan Hay and Mimi Young, New York University Press "Disorienting Territories," April 1998, p.73.
Site of Asia, Site of Body, Exhibition catalogue with image reproduction by Hsiao-ning Tu & fu-Chia-Wen Lien
Taipei Gallery, New York, NY, March 1998
Gun as Image, curated by George Blakely (exhibition catalogue image reproductions), Florida State University,
Museum of Fine Art, Tallahassee, FL, March 29, 1997, p.43
(dis) Oriented, Exhibition catalogue with image reproductions, by Margo Machida. Steinbaum Krauss Gallery & Henry Street Settlement, June-July 1995 collaboration with Monica Chau
Beyond the Label, Exhibition catalogue with image reproductions by Julia Ballerini, Joseloff Gallery,
University of Hartford, Hartford, CT, Oct/Nov 1994, in collaboration with Monica Chau
Counterweight: Resistance, Alienation, Assimilation, Exhibition catalogue with image reproductions by Sondra Hale and Joan Hugo, Santa Barbara Contemporary Arts Forum, January 23, 1993

PRIVATE, MUSEUM AND INSTITUTION COLLECTIONS

Special Collections of the Library of University of Leiden, Leiden, Netherlands
Dallas Museum of Art, Dallas, TX
The Museum of Fine Arts, Houston, Houston, TX
Dallas Contemporary Art Museum, Dallas, TX
Philadelphia Museum of Art, Philadelphia, PA
Worcester Art Museum, Worcester, MA
Southeast Museum of Photography, Daytona Beach, FL
Sheldon Museum of Art, University of Nebraska Lincoln
Fidelity Investments, Boston, MA
Ohio State University, Columbus, OH
Edward Osowski, Houston, TX
Linda Gordon, Mill Valley, CA
Cathy Williard, Columbus, OH
Lee Lormand, Dallas, TX
Stanley Light, Dallas, TX
Jodi Shapiro, New York, NY
Dee Ware, San Fancisco, CA

Redwood City, California  914-646-9932